Ever since Radiohead dropped “In Rainbows” in 2007 mysteriously with a “pay what you want” model, artists have followed suit and released new projects without notice.
Two albums didn’t wait till the normal Friday release of new music that has listeners glued to their favorite streaming service to catch what artists have in store for fans with new full-lengths and EPs.
Last night came as a surprise with not one but TWO albums from Weezer and Better Oblivion Community Center (Phoebe Bridgers & Conor Oberst). These releases blindsided many folks on several levels. Did we need a full album of Weezer covering their favorite tunes? I’d be lying if I said I didn’t enjoy the Tears for Fears cover of “Everybody Wants to Rule the World,” but “No Scrubs?” Sheesh.
We are currently witnessing a landscape wherein industry norms are forgotten and artists are constantly looking for alternative revenue sources that aren’t predicated on albums sales. Another example is mid-tier artists are joining forces with other artists to create supergroups and help create new material. Just days ago, Ryan Adams released new music with Father John Misty and Strand of Oaks teamed up with My Morning Jacket just last week.
The frenetic creativity is highly contagious and bringing acts from different genres together (Thundercat, Michael McDonald, and Kenny Loggins). I’m sitting front seat with my box of buttery popcorn soaking in what I believe to be very exciting times for music fans. Even if it means having to soak in releases like “the Teal album” courtesy of Weezer.